Visibility for kalimba makers and players in rural Mozambique
Project Goals
In Q3/2022, SR teamed up with Tatenda Lenade Cangola whose mission is to locate kalimba players
and makers in the Mozambican border regions near Zimbabwe, and provide them with media visibility, so that
they can make connections as musicians, and their art gets more widely known
they sell their instruments both nationally and internationally
their types of mbira find more students at home and abroad, similar to our
mbira dzaVaNdau course.
Means and Outcome
To this end,
we are creating biographical pages in Portuguese and English
(example)
we create virtual instruments (example)
that show key layout and tuning, and serve as the basis for future interactive tutorials
Virtual version of Sekuru Macequessa's Kalimba nkulu
we commission instruments from each instrument maker to ensure their quality
(this happens outside of the project budget)
we provide instruments without players to players without instruments
(in many families there are orphaned instruments, or traditional music is given up when entering church.
On the other hand, Tatenda keeps meeting older,
formerly very active musicians who cannot afford a new instrument)
we disseminate the contact information
offline to strengthen the local network of musicians and artisans, and eventually create an association.
The desired long-term impact of the project is the preservation of local kalimba culture.
The desired short- and medium-term effect is the creation of new economic bases for culture bearers,
as well as the creation of new narratives to counteract the stigmatisation of traditional rural (music) culture
in Christian-religious and urban contexts.
Tatenda Lenade Cangola
Tatenda transporting (increasingly hard-to-find) mupepe wood to a kalimba maker
Tatenda is just finishing university to become a language teacher Chimoio, Mozambique.
He's an mbira player and activist,
working to preserve the local kalimba culture in his homeland of Manica and Tete provinces,
which have a rich and diverse mbira/kalimba history.
Like the Matepe/Karimba culture in rural northeastern Zimbabwe,
it is facing a threat of disappearing due to a number of reasons,
not least the fierce intolerance from local pentecostal churches.
For outsiders, the borderlands on the Mozambique side are more difficult to access, more perilous,
and from the perspective of the capital and its mbira scene, significantly more remote than in Zimbabwe.
On today's media map it is practically a blank spot.
Manica Province (source: Google Maps)
Tete Province (source: Google Maps)
So far Tatenda has encountered players and makers of the kalimba nkulu, kalimba mudoko, nyonganyonga, and bangwe,
and has heard from other musicians who play matepe, njari, mana yembudzi, and the mbira dzaVaNdau -
the whole variety heard on old ILAM recordings, partly considered extinct.
Similar music is played on all of these instruments, a repertoire which likely originated from the mixing of
various musical cultures from the lower Zambezi Valley in the ancient trading center of Tete.
Sr. Macequessa playing a kalimba nkulu/karimba with left index manual,
thought to be extinct. Youtube »
Repatriating ILAM recordings
At the start of their fieldwork in the Zimbabwean borderlands in 2016/17,
Jocelyn Mory and Zack Moon had compiled a
collection of over 400 Hugh & Andrew Tracey recordings
as well as photographs from the archives of the International Library of African Music
(ILAM) - many from Mozambique.
The ILAM has a repatriation agenda to make their audio and visual documents available to the families and
descendants of the original musicians, most of whom have passed away meanwhile.
Unfortunately, the funds for this are often lacking.
On their travels, Jocelyn and Zack always had a handful of SD memory cards with copies of the files to pass on -
a suitable mobile phone from a family member or friend can usually always be found.
With the support of ILAM, we are continuing this practice in Mozambique.
For the first months of our collaboration, Tatenda and I have managed the project with our own resources.
He invests his time off from university in traveling for weeks,
and I support him with the travel expenses and equipment.
I was happy to give the savings for my next trip to Zimbabwe, because Tatenda, speaking all the local dialects,
visits places that outsiders don't get to at all, or only with significantly greater financial and time effort -
and does so with a minimal budget.
Since January 2023 we are supplementing our funds with fundraisers to finance further trips and
better equipment: a mobile recorder, phone with good camera, laptop, storage media, power banks, etc.
Therefore, I would like to appeal for donations. I think a constellation like this will not occur any time soon,
the economic circumstances in Mozambique are simply too difficult.
And also Tatenda will have to dedicate himself to his professional and family future soon.
Even small amounts help, e.g. for the purchase of memory cards.
For larger amounts we can offer to bring our own focal points and questions into the field research,
we are happy to share our documentary videos, and we will make the budget (Google Sheet) transparent.
Here's our Paypal pool (no account needed):
(Currently suspended)!
For more details, please get in touch!
- Stefan
