Please note: You can edit and audition all parts, but you need to sign up in order to save any changes.
Using this website
Notations: Mbira dzavadzimu
Notations: Mbira dzavadzimu (with extra keys)
Notations: Matepe / Madhebhe / Hera
Notations: 15-key Karimba 'Nyunga Nyunga'
- How to sample Mbiras
- How to slice up recordings (using Reaper)
- How to slice up recordings (using Audacity)
About this website
Name of the piece
Optional name suffix to distinguish this version from other pieces with the same name, e.g. 'old' or '2'
Alternative names of the piece.
Type of Piece
Adapted to the Mbira
Unknown / Other
Who created this database entry?
Who created the transcription?
Recording / Video
Unknown / Other
How was the information obtained?
Who taught, performed or composed the piece?
Physical location or URL
Fungai was introduced to mbira by his grandfather, Muyengwa Gahadzikwa. After his grandfather's passing, Fungai continued his studies with one of Sekuru Gahadzikwa's neighbours and students, Shadreck Muranduri. Both families continue to keep the tradition alive in Nhumbe Village, Chihota, Zimbabwe. This collection of variations is an example from the book: Fungai Gahadzikwa - Mbira Song Book 1, available at MbiraMagic.Com The book is divided into two sections. The first contains multiple parts for ten songs; suitable for ensembles. The second explores the structure of each variation, inviting the reader to deepen their understanding and playing of traditional mbira music.
Details about the source. Who were former sources of the piece? When and were was it obtained by them?
Fungai uses the names 'Lead', 'Middle' and 'Bass' instead of 'Kushaura' and 'Kutsinhira'. His use of the word 'Lead' appears to be interchangeable with 'Kushaura'. Four main variations are presented here, in order of difficulty. Each with two examples. Basic notation is used, as it is in the book - for advanced notation, select 'Position --> Pitch' in the Translator below and click 'Translate Now'. Readers of 'Unlocking Mbira' will recognise these variations as examples of Master Progression 6, notated here to match that progression as it is presented in the book.
Comments. E.g. Meaning of the piece's name, according to the source?
Mbira dzavadzimu (with extra keys)
Matepe / Madhebhe / Hera
15-key Karimba 'Nyunga Nyunga'
Nyonganyonga / Malimba
Which type of instrument is this piece for?
Analytic (retain motor pattern)
Analytic (retain octaves)
Analytic (retain pitches)
Analytic (retain playability)
Art of Mbira (lines)
Art of Mbira (notes)
Notation used in the scores below
---- Other Notations
Position --> Pitch+Octaves
Position --> Pitch
Position --> Art of Mbira (notes)
Position --> Art of Mbira (lines)
---- Other Instruments
Position --> Mbira dzavadzimu (with extra keys): Position
Position --> Mbira dzavadzimu (with extra keys): Pitch
60...900 Pulses Per Minute. Leave empty to use the default tempo for the instrument class
Text size measurement DIV