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« Gallery
Mbila dzamadeza: "#1"
Reference Key:
G (closest chromatic pitch)
Key Count:
27
Maker:
Mbangiseni Philemon Nemukula (Vho-Netshamutshedzi)
Place Made:
Tshidzini, Thohoyandou, RSA
Made in/before:
2022
Comments:
Ian Garrett bought this mbila from Vho-Netshamutshedzi in late 2022.
The instrument is very carefully tuned. The dominant overtones of the
B
manual keys match the fundamentals of the right hand keys that are two octaves plus two scale degrees higher, e.g.
B1,
/
RT3'
,
B2
/
RX2''
.
The tuning of the topmost two keys in the B manual appears quite idiosyncratic. They are about an octave lower than the topmost two in the L manual, (which in turn exactly match the lowest two on the right hand side) The
B2
key is only 14ct sharper than the down octave of
L1'
. The
B3
key is 40ct sharper than the down octave of
L2'
, and 111ct flatter than the down octave of
RT3'
.
Thus the sequence of pitch classes in the B manual is much closer to the L manual (top-down 2-1-7-6-4-5-1) than to the common 3-2-7-6-4-5-1.
Without knowing Vho-Netshamutshedzi's playing practice, I (S.F.) was initially undecided as to whether it was an instrument with an unusual layout (2-1-7-6-4-5-1 in the
B
manual), or a regular layout with the
B2
and
B3
keys tuned extremely flat. From the audible impression, the first option seemed more likely to me, although Andrew Tracey, on a tuning diagram of James Munyai's mbila, also marked these very keys as "flat" (Munyai lived in the same area as Vho-Netshamutshedzi). Therefore, I initially modelled the virtual instrument in this way.
However, after Ian and a few friends had
visited Vho-Netshamutshedzi
and took videos of his playing, it became clear that (what is now)
B2
was played together with
RT2
, and otherwise used as expected in a piece following the 461-462-472-572 standard harmonic sequence.
Therefore, in Sept. 2024 I changed
B1
to
B2
, and
B2
to
B3
.
Last known owner:
Ian Garrett
Owner Contact:
Please
get in touch.
Last known location:
Capetown, South Africa
Click on a picture to enlarge.